The Theatre Interior of Coronation Hall
Coronation Hall is a traditional proscenium arched theatre
built at the beginning of the 20th Century to commemorate the
Coronation of King George V.
It is kept well decorated and maintained by South Lakeland
District Council. The walls and ornate ceiling are painted in
heritage pastel shades and the curtains on both the windows and
stage (house tabs) are a rich wine coloured velvet. There is a
fresco depicting the Empire above the proscenium arch. Cherubs face
into the auditorium from the top of each of the columns which
mark the boundary of the seating from the side aisles.
On the 27
th January 1913, the site of the former
County Hotel in Ulverston was purchased at a cost of
£1,350 and Dean Brundrit ARSBA was appointed as architect for
the new hall.
The style is English Renaissance, which puts emphasis on
rational clarity and regularity of parts arranged in simple
mathematical proportions. Classically styled columns and
geometrical designs characterize English Renaissance.
Stunning features of the interior hall are the Ionic columns
which frame the stage and the ornate plaster carvings dominated by
cherubs, garlands and classical figures representing the
arts. The pediment over the proscenium depicts Britannia with
Muses representing the countries of the former British
Empire.
The plasterwork throughout the building is by the
internationally famous sculptor
Alec Miller.
His trademark, the ship, or parts of a ship, can be seen on many of
the carvings.
Over the years many hours have been spent looking for the
famous mouse, which is hidden amongst the carvings on the ceiling.
The location of the mouse must be one of the best-kept secrets of
Ulverston!!
Until alterations were completed in the 1970s, the Renaissance
influence was further reflected in the symmetrical layout of the
doors, windows and staircases throughout the building. The foyer
and Supper Room are still both good examples of this style.
Originally the Renaissance theme was used to great effect on
the exterior of the hall with similar columns cherubs and scrolls
as can be seen today in the inside. These can be seen in this early
picture.
The figure over the main entrance represented St. George,
flanked by his shield and banner bearers, and surmounted by emblems
of England, Scotland, Ireland and Wales. However, very early in the
life of the hall most of the carvings and other decorations were
removed. The reason for this has yet to be ascertained but the
consensus at the present time is that they were removed because of
weathering.